How to Sell A Screenplay – Use the Internet!

One unique advantage that current artists have over the previous generations is that we have a very powerful tool that was unavailable to them – social media! And if this tool is used correctly, it can greatly help you learn how to sell a screenplay, advance your career, and open doors to you that you were previously unable to get through.

One of the great things about knowing how to sell a screenplayis knowing about the advent of social media. The great thing about social media is that industry people, such as producers, now maintain active presences on social media, and as a result, you have the opportunity to form a relationship with them, and then, and only them, attempt to, in a calm and non-stalkerish way, pitch them your project. If you want to learn more about how to sell a screenplay to a producer without scaring them off, here are the basic steps to undertake:

1. Locate the producer’s website or social media profile
2. If the profile is a public one, send them a friend request online.
3. Actually take the time to get to know them before you try and pitch them your project
4. When the time is right, then proceed to pitch them about your idea (hint: the right time is if, and when, they ask you to, and not a moment before).

Try and find producers who are producing films similar to the ones you want to make – if you’re trying to get a romantic comedy off the ground, Jason Blum and the Paranormal Activity guys are probably not going to be your best bet. If you’re going to learn about how to sell a screenplay,one of the most important things to understand is that you need to find a producer that is ideally suited to your project and who has a background in making those kinds of films.

Producers are frequently bombarded with all kinds of inquiries, many of which are not professional and will not teach you anything about how to sell a screenplay. Here are some of them – don’t be any of these people:

1. Critic – this one is pretty self-explanatory, as it’s someone who attacks the producer’s past works
2. Fanboy/girl – someone who just has nice things to say about the producer’s work and wants attention by sucking up
3. Creeper – someone who makes demands of the producer, or who pursues their time and attention, without any regard to social norms
4. Rookie – someone who is attempting to submit a script to the producer for feedback (no) or who writes query letters that take forever to get to the point (no)

You want to know how to sell a screenplay – it’s simple – act like a professional!